No matter which way this case goes, it's a lose/lose situation for the RIAA thanks to all of the publicity.
The decision of twelve people could possible effect the legal ramifications we face when we share files. Why twelve and why not twelve million? Well, that's because one of the thousands of people that were (and many more still are being) sued by the RIAA is taking it all the way to a civil trial.
Jammie Thomas is accused of illegally sharing 1,702 songs over the KaZaA network stemming from when her shared folder was discovered by SafeNet Inc. in February 2005.
Thomas' lawyers are fighting hard to clear her of accusations of violating copyrights. In fact, their main argument is that the RIAA submitted a document that declared the copyrights belong to companies that are not listed as the copyright holder. On Monday, U.S. District Judge Michael J. Davis threw out over 700 pages of documents that the record companies submitted to prove that they owned the copyrights to the songs in question. Thomas' lawyers argued that the documents were too little, too late.
If found guilty of infringement on all counts, Thomas could face a judgement of up to $51 million (£25.3 million) if the jury awards the maximum $30,000 per infringement that is allowable according to federal law.
Normally, people buckle under the pressure of being sued out of existence but Thomas refused to back down to the RIAA.
"
She came into my office and was willing to pay a retainer of pretty much what they wanted to settle for," said Brian Toder, Thomas' attorney for the case. "
And if someone's willing to pay a lawyer rather than pay to make it go away, that says a lot."
Jury selection begins today and open arguments are expected as well. So sit back, grab your popcorn, and watch in anticipation as this one plays out in court. If Thomas wins, then this could spark a revolutionary movement from those that have yet to settle with the RIAA. However, if the RIAA wins then it will surely be business as usual and we can probably expect a massive surge in the amount of pre-suit letters being sent out.
We already know which side the vast majority of you are taking on this issue so instead, head on
over to the forums and discuss how you think this case will play out.
... amen.
Normally I would question themental health of such a person ... but I guess best of luck to her. :-)
now why didnt that s key work, i really should read my posts before i post
Ditto that, it's disgusting how severe the penalties are. I mean, it's basically little more than petty theft (if you stole the CD from a shop, that's what it would be), and while I don't know what the penalty for that is I don't think it's going to be anything more than a slap on the wrist type of thing. I'm going to stop now, 'cos just thinking about it is making my blood boil.
Record companies have been ripping us off for years with their ridiculously overpriced CDs and crappy albums with one or two good songs. They've also been usually ripping off the artists as well by underpaying them and shoestringing them into bad contracts.
I say let the market decide how much recorded music is worth. And if at the moment people think it's worth 0 then so be it. Records don't cost anything to make nowadays anyway and artists make their money by going on tour more than selling records. Why should we shell out our hard earned money so some fat, cigar-chomping record exec can buy a new Bentley? If the music is good enough people will pay.
Whilst downloading the song may be just petty theft, I think the point is that she was sharing them. Still $30000 seems a lot though...
That's what I was thinking. I was hoping that in that type of business model, the way to prevent the pirating of the DRM free music is that you the consumer has spent your own ££ on it so why would YOU want to give it away free?
I figured that would be the most 'logical' way to prevent the files from being shared. Of course, that's in a perfect world and places a massive amount of trust on the consumer. But if it worked.. well, why would any artist need the music industries any more? :)
why does any artist need the industry at all at this point. i listen to a lot of independent or indi label bands that have MASSIVE followings. like one of my favorite hip-hop artists said
"40,000 records sold, 400 grand
**** a middle man, I won't pay anyone else
I'll bootleg it and sell it to the streets my self
I'd rather be that than signed and stuck on a shelf"
Immortal Technique - Freedom Of Speech
http://www.harveydanger.com/downloads/
Awesome band too. You can read their reasonings here:
http://www.harveydanger.com/press/why.php
This way everyone downloads it and likes it so they get loads of new fans, then those people want to hear more so they buy the album. If they don't like the music that much then they don't have to buy the album. The band doesn't have to be signed either because they can handle the album distribution etc personally. Meanwhile the true fans get something extra and become encouraged by their act of purchasing NOT to pirate the music.
More power to her, RIAAs uncontrolled bs has gone on long enough.
Nice somone is standing up to these A*******
http://news.bbc.co.uk/2/hi/technology/7029229.stm